Ce qui a sĂ©duit Ursula Andress chez Jean-Paul Belmondo, c'est d'abord son humour. Lors du tournage oĂč elle l'a rencontrĂ©, l'acteur l'a trĂšs vite fait rire. Au dĂ©part, leur romance reste

Editorial ImagesImagesCreativeEditorialVideoCreativeEditorialActress Ursula Andress with actor Jean-Paul Belmondo, circa 1970. Andress and Belmondo were involved in a well-publicised affair which led to Belmondo and his wife, Elodie Constantin, divorcing in 1965. (Photo by Archive Photos/Getty Images)EmbedComp

Jean-Paul Belmondo a jeho lĂĄsky. Patƙila mezi ně Brigitte Bardot i prvnĂ­ Bond girl. ZatĂ­mco v profesnĂ­m ĆŸivotě se zesnulĂ©mu francouzskĂ©mu herci Jeanu-Paulovi Belmondovi daƙilo, na co sĂĄhl, v soukromĂ­ to tak slavnĂ© nebylo. PƙestoĆŸe mu ĆŸeny padaly k nohĂĄm, dlouho nemohl najĂ­t tu pravou. ĆœenatĂœ byl dvakrĂĄt, ale obě
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The couple got married in 1957 but got separated in 1965 and their divorce got finalized in 1966. Ursula also dated Jean-Paul Belmondo, Ryan O’Neal, and Fabio Testi. 5. Ursula got in a romantic relationship with American actor Harry Hamlin after meeting on the set of Clash of the Titans in 1979.
, avec AFP 06/09/2021 Ă  22:47, Mis Ă  jour le 06/09/2021 Ă  23:10 Elodie, Ursula, Laura, Carlos, Natty, Barbara... Avec lui, elles ont partagé parfois l’affiche et l’existence. Ce qu’elles pensent de l’homme, ce qu’il raconte des femmes. Moments de bonheur et verbatim. 1/10 Le 17 janvier 1959, Jean-Paul Belmondo Ă©pousera RenĂ©e Constant, dite Élodie Constantin. Ils auront trois enfants: Patricia, (1953-1994) ; Florence (1960) et Paul (1963). © DALMAS/SIPA 2/10 Jean-Paul Belmondo et Elodie sur le tournage de "Cartouche" de Philippe de Broca, en 1960. © DALMAS/SIPA 3/10 Ursula Andress et Jean-Paul Belmondo sur le tournage de «Les tribulations d'un Chinois en Chine» en 1965. Sur le tournage dĂ©butera une liaison torride qui durera sept ans et provoquera le premier divorce de BĂ©bel. © MARY EVANS/SIPA 4/10 Ursula Andress et Jean-Paul Belmondo sur le tournage de «Les tribulations d'un Chinois en Chine» en 1965. Sur le tournage dĂ©butera une liaison torride qui durera sept ans et provoquera le premier divorce de BĂ©bel. © NANA PRODUCTIONS/SIPA 5/10 Laura Antonelli et Jean-Paul Belmondo au Festival de Cannes en 1974. BĂ©bel succombera aux charmes de la belle Italienne en 1972. Leur histoire d'amour durera huit ans. L’actrice sera Ă  l’affiche de deux de ses films « Les mariés de l’an II » et « Docteur Popaul ». © MOUTIN/SIPA 6/10 Laura Antonelli et Jean-Paul Belmondo Ă  Rome en 1979. © VOLPE/SIPA 7/10 Carlos Sotto Mayor et Jean-Paul Belmondo Ă  la derniĂšre reprĂ©sentation de Johnny Hallyday au Palais des Sports en 1982. BĂ©bel vivra une folle passion avec la chanteuse brĂ©silienne dans les annĂ©es 80. Elle lui donnera la rĂ©plique dans «Le Marginal», «Joyeuses PĂąques» et «Le Solitaire». Les deux anciens amants s'Ă©taient retrouvĂ©s ces derniĂšres annĂ©es. © VILLARD/SIPA 8/10 Nathalie Tardivel, dite Natty, qui va devenir son épouse et donner naissance à leur fille, Stella, a partagé sa viedurant vingt ans. Elle a tenu un petit rôle dans « Les misérables ». © LECARPENTIER/SIPA 9/10 Nathalie Tardivel, dite Natty, qui va devenir son épouse et donner naissance à leur fille, Stella, a partagé sa viedurant vingt ans. Elle a tenu un petit rôle dans « Les misérables ». © NIKO/SIPA 10/10 Jean-Paul Belmondo frĂ©quentera au dĂ©but des annĂ©es 2010 Barbara Gandolfi. Il annoncera leur rupture en octobre 2012. Ici, le couple au Festival de Cannes en mai 2011. © Francois Mori/AP/SIPA Ursula Andress a dit de vous: "Vivre avec Jean-Paul, c'est comme vivre dans l'oeil du cyclone ! Etes-vous aussi aun cascadeur en amour ? On était jeunes ! On vivait une époque folle. Ursula m’a fait découvrir Hollywood, rencontrer Frank Sinatra, Elvis Presley, Kirk Douglas... Je découvrais avec elle un monde de rêve. Et puis, à cette époque, j’étais très possessif, jaloux... D’ailleurs, je le suis MATCH N° 2291 DU 22 AVRIL 1993 La suite aprĂšs cette publicitĂ© Lire aussi : Belmondo, le magnifique La suite aprĂšs cette publicitĂ© Carlos Sotto Mayor “Ce n’est pas un homme qui aime papillonner. Je pense que, lorsqu’il est bien avec une femme, il reste avec elle tant qu’il est bien. D’ailleurs je ne pourrais pas vivre avec quelqu’un qui ne me respecte pas. Jean-Paul a des principes et, pour moi, c’est important. Moi aussi, j’ai des principes.” PARIS MATCH N° 1935 DU 27 JUIN 1986Laura Antonelli La suite aprĂšs cette publicitĂ© La suite aprĂšs cette publicitĂ© “Dans la vie on ne peut pas aimer souvent. Une fois c’est de la chance. Deux fois c’est rare. Jean-Paul a été le grand amour de ma vie et il le restera toujours.”PARIS MATCH N° 1974 DU 27 MARS 1987Lire aussi : Jean-Paul Belmondo, en six rĂŽles, six rĂ©pliques et six scĂšnes cultes A 80 ans, quel regard portez-vous sur les femmes ? J’ai toujours été fasciné par les femmes. Vous dire que je les ai comprises, certainement pas. Nous vivons sur deux planètes différentes. Mais j’ai partagé avec celles que j’ai aimées des moments superbes et inoubliables. PARIS MATCH N° 3334 DU 11 AVRIL 2013 Contenus sponsorisĂ©s PersonnalitĂ©s Sur le mĂȘme sujet Si Jean-Paul Belmondo et Ursula Andress ont formĂ© un couple iconique de la fin des annĂ©es 60 au dĂ©but des annĂ©es 70, derriĂšre les paillettes, tout n’était pas rose. De son vivant, Bebel a Jean-Paul Belmondo, who has died aged 88, was the actor who more than any other epitomised the French Nouvelle Vague. In Breathless (1960), one of the most influential films of the last six decades, the 26-year-old Belmondo played Michel Poiccard, who steals a car in Marseille, kills the policeman who follows him and hides out in Paris with his American girlfriend (Jean Seberg).What struck one immediately were the thick, sprawling lips – on to which was stuck a Gauloise – the broken nose, and the sunglasses, suit, tie and hat worn as a homage to the great US gangster prototypes, especially Humphrey Bogart. At one stage, Poiccard looks at a film poster, runs his fingers over his lips and sighs: “Bogie.”Despite the tough exterior, Belmondo gave the impression of fragility, with his pale, delicate skin and soft voice. The New York Times reviewer found him “hypnotically ugly” and “the most effective cigarette-mouther and thumb-to-lips rubber since time began”.An Italian poster for Breathless (À Bout de Souffle, 1960). Photograph: Snap/Rex/ShutterstockBecause of Belmondo’s relaxed, naturalistic acting technique, it was assumed that the dialogue had been improvised, but it was written by the film’s director, Jean-Luc Godard, who nevertheless would not allow the actor to learn his lines but cued him during takes. In the final sequence, the camera chases Belmondo as he continues to run after being shot. As he dies, he looks up at his girlfriend, smiles knowingly and says: “C’est dĂ©gueulasse!” (“It’s shitty!”).Because Belmondo projected an anti-conformist image, he was immediately dubbed “le James Dean français”, and after Paul Newman saw him in Paris in the early 1960s he commented: “Why, he’s one of us.” When Jean Gabin, from the golden age of prewar French cinema, co-starred with Belmondo, the darling of the New Wave, in Un Singe en Hiver (A Monkey in Winter) in 1962, he told him: “Kid, you’re me at 20.”There was even a wave of “Belmondism”, manifesting itself in a particular style of offhand, narcissistic behaviour. Of his joli-laid looks, Belmondo commented, “Hell, everybody knows that an ugly guy with a good line gets the chicks.” At the age of 19, he had married a dancer, Élodie Constantin. In 1966 while starring in Philippe De Broca’s Up to His Ears, he and Ursula Andress fell for each other, and Élodie, the mother of their three children, filed for a way, it is absurd that, following Breathless, Belmondo soon chose to withdraw more and more from the New Wave directors and go into commercial films with few artistic demands – vehicle thrillers, adventure movies and acrobatic comedies, in which he became repetitious and self-parodic. The actor Claude Brasseur remarked: “Despite everything, I think it’s a pity for him making popular films because he could enjoy his mĂ©tier so much more. I remember at the Conservatoire he did astonishing things. Alas, now he has become a sort of stunt man de luxe.”Catherine Rouvel, Mario David and Jean-Paul Belmondo in Borsalino, an American-type gangster movie, 1970. Photograph: Paramount/AllstarWhat was most dispiriting about his career was that French audiences seemed to prefer it that way. When reproached, Belmondo replied: “My public expects a certain type of picture, and I’m not going to let them down.” Secure in his pre-eminence, producing many of his films himself, “Bebel”, as he was affectionately known in France, all but guaranteed a hit a year, few of which crossed the Channel or the Atlantic. Belmondo, who did not speak English, never made it to Hollywood, preferring to make American-type gangster movies such as Borsalino (1970), opposite Alain Delon, who shared top place in the box-office polls.“Nothing impresses him. No danger, no risk, nothing serious, nothing important, nothing explained,” said the journeyman director Henri Verneuil, with whom Belmondo made eight pictures. “He never reads a scenario ahead of time. Never thinks out his role. Never says, ‘How was I in the last scene?’ Never makes suggestions.”He was born in Paris, the grandson of an Italian workman from Piedmont who had emigrated to French Algeria. His father, Paul Belmondo, was a leading academic sculptor and a professor at the École Nationale SupĂ©rieure des Beaux Arts, and his mother, Sarah (nee Rainaud-Richard), was a painter. The rebellious Jean-Paul, whose schooldays were turbulent, studied drama at the Paris Conservatory following a brief career as an amateur boxer, and for several years performed in the classics on stage in the provinces before entering the Belmondo and Serge Reggiani in Jean-Pierre Melville’s Le Doulos (The Finger Man), 1962. Photograph: The Criterion Collection/AllstarAs Breathless was Godard’s first feature, it was assumed, by some critics, that it was also Belmondo’s. In fact, Belmondo appeared in supporting roles in nine films before his “overnight” rise to fame. One of his first roles was for Marcel CarnĂ© in Les Tricheurs (The Cheaters, 1958), and the following year his portrayal of Bernadette Lafont’s uncouth Hungarian fiance in Claude Chabrol’s À Double Tour (Web of Passion) prefigured the Breathless strong was the impact of his persona in Breathless that his restrained performances as affectionate and humane characters in Vittorio De Sica’s Two Women (1960), Peter Brook’s Moderato Cantabile (1960) and Jean-Pierre Melville’s LĂ©on Morin, Priest (1961) came as a surprise, revealing an actor of a wider range than his subsequent filmography acknowledges. “He is the most accomplished actor of his generation,” claimed Melville. “He can play any given scene in 20 different ways, and all of them will be right.”Belmondo made two further films for Melville, both in 1963: Le Doulos (The Finger Man) and L’AĂźnĂ© des Ferchaux (Magnet of Doom). In the former, he suppressed his magnetic charm in the part of a sly, safecracking stool pigeon. But it was Godard who gave him his last great role, in Pierrot le Fou (1965). Belmondo as Ferdinand, dissatisfied with Parisian life, and with his wife, sets off on a picaresque journey to the south with Marianne (Anna Karina), getting involved with her criminal activities on the was a similarity between Ferdinand and Michel Poiccard – both are on the run, both are unable to assimilate into society, and each is betrayed by the woman he loves. However, Ferdinand is a more romantic and intellectual figure, acting out an existential tragedy of the transience of love. At the end, having fatally shot Karina and her boyfriend, Belmondo paints his face blue, places sticks of dynamite around his head and lights the fuse. He has second thoughts, but it is too late. “Damn, it’s too absurd!” he says before being blown Belmondo and Ursula Andress started an affair while they were filming Up to His Ears, 1965. Photograph: United Artists/AllstarWith challenging opportunities becoming rarer and rarer after Breathless, his acceptance of roles in François Truffaut’s Mississippi Mermaid (1969) and Alain Resnais’s Stavisky (1974) reminded audiences of his qualities. In the latter, Resnais cleverly subverted Belmondo’s charm and virility, the source of his success as a popular star, to play the notorious real-life 1987 he returned to the stage to play the title role in Kean, the Dumas drama reinvented by Jean-Paul Sartre, and was an excellent Cyrano de Bergerac three years later, also appearing in Feydeau’s A Flea in Her Ear for his own theatre company at the Théùtre Marigny in Paris. One of his last films to have received an international distribution was Les MisĂ©rables (1995), Claude Lelouch’s effective updating of the Victor Hugo classic to the Nazi occupation, with Belmondo in his most challenging screen role since the 60s as an uneducated ex-boxer who befriends an intellectual Jewish 2001, Belmondo suffered a stroke, which kept him off the stage and screen until his brief return in A Man and His Dog (2008), based on De Sica’s 1952 film Umberto D. Although he had difficulty walking and speaking, he played a character with the same disabilities. However, no matter what Belmondo did, most serious film commentators would continue to see him as the young rebel who rode in on the New second marriage, to the dancer Nathalie Tardivel, ended in divorce in 2008. Their daughter, Stella, survives him, along with a daughter, Florence, and son, Paul, from his first marriage. Another daughter from his first marriage, Patricia, died in a fire in 1994. Jean-Paul Belmondo, actor, born 9 April 1933; died 6 September 2021
22 September 2023 Ursula Andress and Jean-Paul Belmondo | Jean-Paul Belmondo Photo ID: 90651855. Picture of Jean-Paul Belmondo - - Latest Jean-Paul Belmondo image.
Come ricordava qualche anno fa Stefano Montefiori ne la Lettura, ai primi provini da attore tra i commenti piĂč ripetuti a Jean-Paul Belmondo c'era «esordiente dai tratti ingrati», «faccia buffa», o ancora il capolavoro del professore del Conservatorio, Pierre Dux, che gli disse: «Lei non terrĂ  mai tra le braccia una donna in un film o a teatro». È finita che dopo aver girato a 19 anni il film di Godard Fino all'ultimo respiro (1960), Belmondo Ăš diventato una star del cinema con ruoli da seduttore. E un seduttore da film anche nella vita schiacciato, labbra volitive, l'aria guascona, il cognome da latin lover preso dalla famiglia paterna piemontese, «Bebel», come lo chiamavano non solo gli amici, Ăš stato capace di far innamorare le piĂč belle donne del mondo conosciute sul set (vedi gallery in alto). Come Laura Antonelli. Erano gli anni Settanta. “L’italienne” e l’amico/rivale di Alain Delon si sono amati e lasciati per otto anni. Una storia vissuta a distanza, tra Roma e Parigi, senza nemmeno una prova di convivenza, che finĂŹ quando nella vita dell’attore entrĂČ la cantante brasiliana Carlos Sotto Mayor (con cui ebbe un ritorno di fiamma trent’anni dopo). Prima della Antonelli, la «donna piĂč bella dell'universo» secondo Luchino Visconti, Jean-Paul aveva fatto innamorare Ursula Andress, con cui ebbe una burrascosa relazione durata nove anni («Sei stato l’uomo piĂč possessivo che ho mai conosciuto», disse lei di lui anni dopo). Ma tra le braccia del divo a dar retta al gossip dell'epoca caddero anche Gina Lollobrigida, Claudia Cardinale, Sophia Loren, e in Francia, tra le altre, le due dive della nouvelle vague Jean Seberg e Anna sicuro nella vita di Jean-Paul ci sono stati tanti amori. E due matrimoni. Nel 1952 andĂČ all'altare con la ballerina Élodie Constantin, madre delle sue tre figlie Patricia – morta nel 1994 in un incendio – Florence e Paul Alexandre, celebre pilota di 1966, colto in fallo dopo una notte brava, dovette divorziare da Élodie, portando alla luce la sua nuova conquista: l’attrice e «Bond Girl» Ursula Andress, che lasciĂČ nel 1972 quando conobbe Laura 29 dicembre 2002 le seconde nozze. Con Natty Tardivel, piĂč giovane di lui di oltre trent’anni e madre della sua quarta figlia Stella. I due divorziarono nel 2008 dopo sei anni di matrimonio. Il motivo della rottura? Un’altra donna, naturalmente. Per la precisione l’ex coniglietta di Playboy Barbara Gandolfi, di oltre quarant’anni piĂč giovane di lui. Una relazione molto discussa: secondo indiscrezioni lei avrebbe raggirato economicamente il divo prima che lui nel 2012 si risolvesse a lasciarla. Da quattro anni Jean-Paul aveva trovato un’apparente stabilitĂ  con l’attrice Valerie Steffen, 57 anni. Ultima - in ordine di tempo - delle vedove Belmondo. «Mi sono divertito come un matto», disse l'attore alla Mostra di Venezia, nel 2016, ricevendo il Leone d’oro alla carriera. Divertito a girare film, senz’altro. Ma anche ad amare fino all'ultimo ANCHEAddio a Jean Paul Belmondo: l'attore francese si spegne a 88 anniLEGGI ANCHEPaul Belmondo: «La tenerezza di mio padre»LEGGI ANCHEAnnabelle Belmondo, lo charme nel Dna - DONATE FOR US IF YOU LIKE THIS VIDEO : Paypal & Payoneer: bkcnnk1a@gmail.comJean-Paul Belmondo et Ursula Andress : une explosive avec la James Bond Girl.
Natty Belmondo (29 December 2002 - 5 September 2008) (divorced) (1 child) Elodie Constant (4 December 1952 - Belmondo always performed his own stunts but ceased to do so after an accident during the filming of Hold-Up (1985). While in Corsica, Jean-Paul suffered a stroke that left the right side of his face paralyzed. He was transferred to a Paris hospital and was released from intensive care after 6 days. [August 2001] Enjoyed boxing and playing soccer in his youth; performed as goal-keeper during school years. He was awarded the César (French Oscar) for Itinerary of a Spoiled Child (1988) but refused to take the trophy because César Baldaccini, the sculptor who designed the award named after him, had once expressed bad opinions about the work of his father, fellow sculptor Paul Belmondo. Co-owner of Stressa, an italian restaurant on rue Chambiges located behind the Plaza Athena Hotel in Paris' 8th arrondisement. His partners are two brothers who manage the day to day operations of the restaurant. His second wife Natty Belmondo gave birth to a girl Stella on 13 August 2003. Several action icons in comics books such as "Cobra" or "Blueberry" are based on him. Was a longtime business partner of French mogul René Chateau. Made his stage debut in 1950. Has been Commander of France's Legion of Honor since 2007. He was the son of Sarah Madeleine Rainaud-Richard and Paul Belmondo, a prominent sculptor. His father was born in Algiers, Algeria, to Italian parents, with roots in Piedmont and Sicily. His mother was French, from a Parisian family. Supports the French soccer team 'Paris Saint-Germain'. Referenced in Donovan's song "Sunny South Kensington". Grandfather of Alessandro, Victor and Giacomo (Paul's sons). On the film Charlotte and Her Boyfriend (1958) he had to go and do military service before he could record the soundtrack so his character's voice is that of the director, Jean-Luc Godard. Cohabited with Nathalie Tardivel better known as "Natty" from 1989 to 2002 before marrying on 29 December 2002. When he finally divorced first wife Elodie (after 3 years of separation), it was expected that Belmondo would marry longtime live-in girlfriend Ursula Andress. Then there was some shock when he decided not to. Belmondo's name was in the headlines in Hollywood in April 1996, when he lashed out at the Hollywood studios and distributors. The actor was furious that his film Desired (1995) was on only 20 screen in France while American films, such as Toy Story (1995), were on 500. He claimed that French theatre chains were "on their knees before Hollywood. When I hear them talk about defending French cinema, I can only laugh." (The American market share of movie ticket sales in France was 54 percent at the time, compared to only 35 percent for French-made product.). His first wife was a former Paris opera ballet dancer. He used to be a boxer. He entered 30 professional bouts which left him with a broken nose, a scarred face and a slope shouldered walk. Personal Quotes (1) "I don't want to be a flying grandpa of the French cinema" (about his further participation in action films). Salary (3) Contribute to This Page
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ursula andress jean paul belmondo